Wednesday, 28 May 2014

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MAAC Preet Vihar Alumni Meet: 2014-15

Maac Preet Vihar celebrates 11th year of Success. This early year has brought a lot for all of us. Maac Preet vihar has won best placement award in across pan India. This means we have provided maximum jobs to our students and placed them well in one of the leading studios of Animation industry. We are proud to call for our students that “Students of yesterday, Professional’s of today. We are very excited to call an Alumni Meet in our respective centre which was lead by our Senior Instructor’s and Centre Administrators.

The Alumni meet was focused to develop the confidence in existing students and help them also to raise the flag ship of our institute to even a further level. We call off our Alumni’s who were once students and used to get teaching from the same place, who are now working in eminent companies.

Our motive is also to felicitate their hard works and to make new bees to acknowledge the hard work and studies they made once to fetch the desired jobs. We believe that getting the desired jobs after the successful completion of the course is a real excitement. The Alumni’s were called to share their industry experience and provide cutting edge and best solutions and career perspective to our existing students. This way we ensure apart from regular teaching we do put our stress on activities of knowledge sessions and seminars to help students in establishing careers.

Maac Preet Vihar is always in highlights when it comes to participation in extracurricular activities and seminars and workshops where we also call industry leaders and senior production artist to provide hands on and career related training to the students.

The Alumni meet is a successful event of our centre and we wish to continue for long and long to provide continuous updates and knowledge emergence program to maintain our league to remain the top level 3D and VFX industry educators.









Wednesday, 14 May 2014

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3D Wall Art

3D wall art painting have been around since the sixteenth century. The magic of 3D is created by painting a 2d picture and viewing it from a specific angle to capture the right perspective. MAAC Preet Vihar is going to feature some of their latest and most awe-inspiring pictures.











Friday, 2 May 2014

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What Is a Mask in Photoshop?

The term “mask” isn’t immediately understandable to someone outside the realm of graphic design. At its simplest definition a mask is a way to apply something to a very specific portion of an image.There is two primary types of masks: clipping masks and layer masks. These two tools are closely related in concept, but very different in application.

Layer Masks: A layer mask is something that you apply to a given layer to control the transparency of that layer. Where layer opacity controls the transparency of the entire layer at once, a mask gives you more precise controls over very specific areas. If you want the entire layer to be at 30%, you would lower the opacity, if you want just the left side of a layer to be at 30%, you would use a mask. On this invisible canvas, you can paint white, black or any level of gray in-between. The color that you paint tells Photoshop how opaque to make the pixels at that point. White means 100% opacity and black means 0% opacity. There are ways to see it that we’ll check out later but just know that as a general rule, applying a mask to a layer won’t cause any immediate visual differences unless you have an active selection at the time.


Clipping Masks: Clipping masks are very similar to layer masks only they use one layer to determine the transparency of another. In this scenario, you stack two layers on top of each other with the bottom being the determining factor of the transparency of the top. Instead of using black and white values though, clipping masks simply borrow transparency from the layers used to make them, namely the bottom layer. If the bottom layer has some areas that are opaque and some areas that are transparent, a clipping mask will apply these values to the top layer.
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