Monday 29 September 2014

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Photo manipulation

Photo manipulation (also called photo shopping or—before the rise of Photoshop software—airbrushing) is the application of image editing   techniques to photographs in order to create an illusion or deception (in contrast to mere enhancement or correction) after the original photographing took place.

Types of digital photo manipulation
In digital editing, photographs are usually taken with a digital camera and input directly into a computer. Transparencies, negatives or printed photographs may also be digitized using a scanner, or images may be obtained from stock photography databases. With the advent of computers, graphics tablets, and digital cameras, the term image editing encompasses everything that can be done to a photo, whether in a darkroom or on a computer. Photo manipulation is often much more explicit than subtle alterations to color balance or contrast and may involve overlaying a head onto a different body or changing a sign's text, for examples. Image editing software can be used to apply effects and warp an image until the desired result is achieved. The resulting image may have little or no resemblance to the photo (or photos in the case of compositing) from which it originated. Today, photo manipulation is widely accepted as an art form.
There are several subtypes of digital image-retouching:

Technical retouching
Manipulation for photo restoration or enhancement (adjusting colors / contrast / white balance (i.e. gradational retouching), sharpness, removing elements or visible flaws on skin or materials,)

Creative retouching
Used as an art form or for commercial use to create more sleek and interesting images for advertisements. Creative retouching could be manipulation for fashion, beauty or advertising photography such as pack-shots (which could also be considered inherently technical retouching in regards to package dimensions and wrap-around factors). One of the most prominent disciplines in creative retouching is image compositing. Here, the digital artist uses multiple photos to create a single image. Today, 3D computer graphics are used more and more to add extra elements or even locations and backgrounds. This kind of image composition is widely used when conventional photography would be technically too difficult or impossible to shoot on location or in studio.

Use in glamour photography

The photo manipulation industry has often been accused of promoting or inciting a distorted and unrealistic image of self; most specifically in younger people. The world of glamour photography is one specific industry which has been heavily involved with the use of photo manipulation (an obviously concerning element as many people look up to celebrities in search of embodying the 'ideal figure)

Photo shopping
Photo shopping is a neologism for the digital editing of photos. The term originates from Adobe Photoshop, the image editor most commonly used by professionals for this purpose; however, any image-editing program could be used, such as Paint Shop Pro, Corel Photo paint, Pixelmator, Paint.NET, or GIMP. Adobe Systems, the publisher of Adobe Photoshop, discourages use of the term "Photoshop" as a verb out of concern that it may become a generic trademark, undermining the company's trademark.

Monday 15 September 2014

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Color Grading

Color grading is the process of altering and enhancing the color of a motion picture, video image, or still image either electronically, photo-chemically or digitally. The chemical process is also referred to as color timing and is typically performed at a photographic laboratory. Modern color correction, whether for theatrical film, video distribution, or print is generally done digitally in a color suite.

Primary and secondary color correction
Primary color correction affects the whole image utilizing control over intensities of red, green, blue, gamma (mid tones), shadows (blacks) and highlights (whites) of the entire frame. Secondary correction is based on the same types of processing used for Chroma Keying to isolate a range of color, saturation and brightness values to bring about alterations in luminance, saturation and hue in only that range, while having a minimal or usually no effect on the remainder of the color spectrum. Using digital grading, objects and color ranges within the scene can be isolated with precision and adjusted. Color tints can be manipulated and visual treatments pushed to extremes not physically possible with laboratory processing. With these advancements, the color correction process became increasingly similar to well-established digital painting techniques and ushered forth a new era of digital cinematography. 


Masks, Mattes, Power Windows
The evolution of digital color correction tools advanced to the point where the colorist could use geometric shapes (like mattes or masks in photo software such as Photoshop) to isolate color adjustments to specific areas of an image. These tools can highlight a wall in the background and color only that wall—leaving the rest of the frame alone—or color everything but that wall. Subsequent color correctors (typically software-based) have the ability to use spline-based shapes for even greater control over isolating color adjustments. Color keying is also used for isolating areas to adjust.

Inside and outside of area-based isolations, digital filtration can be applied to soften, sharpen or mimic the effects of traditional glass photographic filters in nearly infinite degrees.
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